“Michinoku Homeward: Walking toward Northeast” is a deeply personal documentary with subjective approach by a Japanese photographer originally from the region. In 2021, 10 years after the disaster in “Michinoku,” an old name of Northeast Japan, I walked and photographed along the historical route going the distance of 400 km. This is a photo documentary with journalistic topicality and with somewhat poetic view towards my home.
2011 was the unforgettable year of the disasters hitting my home. The earthquake, Tsunami and the nuclear accident took over 22,000 lives. I was devastated by my powerlessness as a native.
2021 was also a memorable year: 80 years after the Pacific War broke out. Also, April 29, 2021, the celebration day of Showa-era, or 120th birthday of former Emperor Hirohito, born in 1901. On this day, at Yasukuni Shrine dedicated for the dead soldiers including war criminals, Mr. Taniguchi from Aizu-Wakamatsu in Fukushima was playing his ocarina in front of Rising Sun Flag, performing the songs that were popular among the military during the war.
10 years passed. I traveled 400 km along the historical route, officially organized in the very beginning of the 17th century, from the 0 mile point in Tokyo to my home in Yamagata in the northeast by an ancient manner, walking. I also went to Fukushima Nuclear plant area only to be shocked by the sights of barely inhabited and mostly uninhabited areas facing each other. It was also confusing to see the Government of Fukushima building new roads in the area where no resident was left.
2021 was also the year of Tokyo Olympic Games, delayed due to Covid19 and held despite the difficulty. Leaving from the Olympic enthusiasm, I walked northeastward.
Instead of a three hour travel with a super express train, with this slow travel a decade after the disaster, my motivation was to observe my home closely and intimately by walking for 1 month. This primitive manner of traveling gave me a chance to observe closely the land’s progress and/or regress.
I photographed the way home, the people I met on my way, and my home. This photo project captures my home at the verge of changing or even disappearing.
School children on their way home. Near Kasukabe, SaitamaEugene from Cameroon, works with ambiguous work & residence permit in Soka. After Covid-19 outbreak, he lost his work at a car factory and now works for a local recycling service. “It is very difficult for foreigners to apply for residence or work permit in Japan. I wish I could work here as a car trader, exporting used cars to Cameroon.”Dead snake, Nihommatsu city, Fukushima14 year old junior high-school student, Shinobu Bridge, Fukushima cityMr. Kumagai, Shinto priest, Manzo Inari Shrine, Shiroishi, Miyagi. This shrine was established in the 18th century for the safety of travelers and also for working horses carrying loads along the route. Many horses lost lives while carrying loads in the mountain.I arrived my home just before sunset on Sep 11. Yasumasa and Mieko, my parents welcoming their daughter’s home coming on their vegetable field.An abandoned house, Futaba, Fukushima. Less than 10 km from TEPCO Fukushima No. 1 nuclear plant.“I lived in Nihonmatsu city for 8 years after the disaster. I missed my home, Namie, so I came back. But younger people can’t come back because there is no job here for them. This town has changed a lot. Houses disappeared, and there are unfamiliar apartments for construction workers.” Mrs. Oyama, NamieClosed Fukushima Daiichi Nuclear Plant of TEPCO, viewed from 6 km north. Tops of metal towers are somehow visible behind the hill. Futaba town, Sep, 2021
Miyuki Okuyama (1972, Japan) is a Japanese photographer and photobook artist living in the Netherlands. Based on her unique perspective as an expatriate Japanese,… More »
